Two inseparable friends live in the sheltered bubble of neighborhood life until their fraternal friendship is put to the test. Mario (Vincenzo Antonucci) and Lino (Francesco Pellegrino) are eighteen-year-olds who have not yet stepped out of their small town. When Lino’s little sister convinces the locals that she’s a living Saint, Lino’s fate abruptly changes. Freed from the pressure of being financially responsible for his mother and sister, he’s able to imagine a life outside his family home

Check your expectations at the door. This drag comedy is no catty campfest. For his feature debut, Thomas Flaherty crafted a thoughtful, poignant, and sometimes achingly honest take on the quarter-life crisis. It’s also funny and sexy, with fresh musical performances, and stunning black-and-white cinematography.

A farming town in Nova Scotia isn’t the ideal place for a young trans woman. For Dawn, it used to be home. When her mother dies, she returns from Montreal to grieve and mend ties with her father. But Dawn (trans actress Maya V. Henry) doesn’t expect to find love, community, and a galvanizing sense of purpose.

A farming town in Nova Scotia isn’t the ideal place for a young trans woman. For Dawn, it used to be home. When her mother dies, she returns from Montreal to grieve and mend ties with her father. But Dawn (trans actress Maya V. Henry) doesn’t expect to find love, community, and a galvanizing sense of purpose.

With a healthy dose of self-deprecating humor, writer-director-star Fábio Leal navigates the sometimes steamy, other times awkward tribulations of sexual connection amid a global pandemic. For his narrative feature debut, Leal returns to the neurotic comedy and uninhibited sex that made his shorts Renovation and The Daytime Doorman so memorable and unique.

A loving portrait of a struggling Afro-Latinx family in a changing political climate, MARS ONE flows with the rhythms, wonders, and heartbreaks of life. Teenaged Deivinho is in love with the stars; he dreams of one day relaunching the Mars One colonization program.

Scrappy, self-confident, and a little bit naïve, young androgyne Raphi is trying to navigate the sometimes-scary world of online dating as a newly out transwoman in Barcelona.

Mexico 1994: presidential candidate Luis Donaldo Colosio is assassinated at a political rally in Tijuana and a separatist group calling itself The Zapatistas, led by a charismatic pipe-smoking masked man, emerges from Chiapas.

Martina, Laia, and Anto are in a passionate, loving, playful throuple. Their relationship, replete with backyard barbeques, relentless teasing, and enough dogs to take up any of the space left in their double wide king bed, faces a test when Laia is called away for a long-term project, and Martina (Silvia Varón) and Anto (Ana María Otálora) must temporarily reshape their own dynamic as just the two of them.

Welcome to the Miraculous Sanatorium for Cancerous Fairies! That’s what this remote ranch is called by its spirited occupants: gay biologist Suzano, trans performer Rose, and gay film student Humberto. They’re the heart of this vivid portrait the AIDS epidemic’s unfathomable early years. Beginning in the city of Vitória, the film explores a web of relationships, including Suzano’s sister and teenage nephew, before the trio retreat to the ranch to support each other, find treatments, and document what could be their final months.


Get ready for an outrageous concoction from drag royalty Charles Busch (PSYCHO BEACH PARTY; DIE, MOMMY, DIE!). It’s his trademark blend of old-school high camp, cutthroat lipstick lesbianism, drag un-realness, romance, and questionable taste.

In this surreal, darkly humorous, and inventive American indie, two people whose worlds seem light-years away converge on an impromptu, border-defying road trip to find their true places in the world… or out of it.

“The most controversial act I have ever committed in my life is being true to myself… in a world that does not always see the spectrum within all of creation.”